Wednesday, October 31, 2012

Interview with Lyla Lee

Hi, everyone! I know, I know, we haven't posted in absolutely FOREVAH. But to make up for it, we're bringing you an interview with Lyla N. Lee, as part of the YA Misfits Halloween Bloghop! Woooot!!!

1. Tell us about your book, POINT BLANK.

POINT BLANK is about a seventeen-year-old girl named Norah, who goes to a high-tech military school that trains kids to hunt down shapeshifters with everything from virtual reality simulations to flying hover-boards. Norah wants to exterminate one shapeshifter in particular: a phoenix Shifter named Seth, who is responsible for starting the fire that killed her parents. On the flip side of things, Seth is also seventeen but already has to deal with the pressures of being the leader of his increasingly diminishing people as well as deal with the consequences of the fire that he accidentally started when he didn't have full control of his transforming abilities. Norah hunts down Seth, only to figure out that things are not at all what they seem and that she will have to side with him in a war that will jeopardize everything she knows.

2. Now...tell us about your villain. :)
The funny thing about PB is that, since it's made up of two different points of views, there's technically two villains for the majority of the book. In Norah's eyes, Seth is the villain since he's the leader of the Shifters that she's been brought up to exterminate. In Seth's eyes, Norah is the villain since she's the Tracker (that's what they call the students of the high school) that is after him and his friends. It's only until further into the book that they realize that there's a far greater and evil villain behind everything but I won't reveal who he is since that's one of the biggest spoilers in the book. :)

3.) What do you think is the most important thing to keep in mind when writing the antagonist?
I think the most important thing about developing and writing the antagonist is that the antagonist is just as "human" as the protagonist. By "human," I don't mean that the antagonist has to be mortal or anything like that. Rather, the antagonist has to be just as relatable and just as well fleshed out. He/she must have motives and reasons for doing the things he/she does that can be understandable to some extent. An antagonist that just does bad things for the heck of it and/or is completely unreasonable in his/her thinking is a cardboard cut-out Disney villain, not a well-developed and compelling antagonist.

4.) Who is your favorite villain of all time? Why?
Saint Dane from DJ MacHale's Pendragon series. I just love how throughout the entire series, he always believes that he's doing the right thing and is just as desperate to achieve his plans as the protagonist is. There are even some parts of the book where you can't help but see the reason behind his motives, despite how crazy the guy is. I talk a little more about him here


5. Sauron vs. Voldemort. Who wins? 
Sauron. Voldemort is badass and everything but Sauron was there at the beginning of the world. You can't really beat that.

6. King Leck vs. President Snow?
Leck, since he has a pretty cool ability as well as being totally heartless.

7. Marcus Eaton vs. Valentine Morgenstern?
Valentine Morgenstern. So much angst.

8. Favorite Halloween candy?
Anything chocolate :)

Yay! Thanks, Lyla! We'll be keeping our eyes out for Point Blank on bookshelves! :) Happy Halloween, everyone!

Saturday, August 25, 2012

Writing is Revising (Except When It's Not)

So, we thought we’d give you our take on revising today. Only, revising is hard to talk about. There are websites and blogs that’ll tell you that there’s only one way to revise/draft/write, and personally, those irritate the fudgesicles out of me. Writing is different for everyone, so I can’t tell you how to revise. I can’t tell you what will work for you.

That said, I’ve just spent the majority of the last year revising. I can tell you what worked for me and what didn’t. The first draft of my novel on subs, WILDFLOWER, was started when I was fourteen. I began querying it on the day before I turned fifteen. And it went out on subs in the middle of this past July. There are some serious time lapses between those three dates. Guess what I was doing. Your choices are:

a)      Procrastinating
b)      Revising
c)      Forgetting to do homework
d)     All of the above

If you guessed answer D, you are one smarticle particle. Have a cookie.

I tried using index cards. I tried using sticky notes. I tried making notes on my mirror with Expo markers. I tried typing out my ideas. I tried writing longhand. I tried eating ice cream. I tried lying on the floor and shooting Nerf guns at the ceiling. I tried Sharpie’ing trash cans. And then I figured out that there were really only three things I needed to revise.

1. Admit that my book wasn’t perfect. Consciously, I knew this. But there was always that one scene that I knew was rather pointless, but didn’t want to cut because it was cute. Or that one character I know wasn’t quite developed, but managed to give myself an excuse as to why. Or that one plot hole that’s small enough that most people won’t notice, but would cause a lot of trouble to patch up. Basically, I had to stop being lazy; I knew that the book had problems, but that didn’t mean anything if I wasn’t willing to face them.
2. A critique partner. I can’t stress this enough. The first eight or so revision of my novel were done without a single second opinion. Your novel can only grow to a certain point if you are the only one looking over it. A critique partner is an invaluable resource, something I learned the hard way.
3. Time to think. Not about the way Jill Johnson’s hair looked like today. Not about what to wear to that party this weekend. Not about Boy X’s cute freckle. About your book. About what it’s problems are. About the notes your critique partners have sent you. About which suggestions are right on the spot, and which ones don’t align with your vision of your book. A lot of people suggest physical activity at this point, something I’ve never found to help (mostly because I would tell myself to think through a plot knot, and then get on the tennis courts and only think about how to hit aces. And then, of course, fail at both of my intentions). But maybe it’ll work for you. Maybe it won’t. Experiment a bit until you figure out what works for you, and then stick with it.

Saturday, August 4, 2012

In Which Mark and Amy Travel to Victorian England and Spew Banter

A: So, Mr. O'Brien. If you had one superpower, what would it be? And more importantly, what would your superhero name be? Serious questions. Could change the world, you know

M: The power to believe it's not butter, my dearest Amelia Bedelia. My superhero name would be Maury. So, Ms. Zhang, I understand you are a pedophile. There's no question here; I'm just letting the public know.

A: Mr. O'Brien. We have an audience consisting of innocent children. As we are both likely to be roped into this category, perhaps we should discuss something loosely G-rated.

M: Indeed. Options include:

•Hot Pockets
•Capri Sun
•Easy-Bake Ovens

It's your choice, Ms. Zhang.

A: Our EasyBake oven had a cockroach infestation. So we threw it out. I still have nightmares.

M: I always wanted one (an Easy-Bake Oven, not a cockroach infestation) but was too afraid to ask. It's a mad world, Ms. Zhang.

A: Let me assure you, Mr. O'Brien, that they ain't all that. Of course, this opinion could be due to my lack of cooking skills. Oh. I've just realized that was probably supposed to pick "writing."

M: All That was my favorite '90s Nickelodeon show. Not that the '90s have happened yet! We are in Victorian England, my dear Ms. Zhang. (I think.) Indubitably, we probably should've picked writing. Seems to be the wiser choice.

A: Of course. Writing is always the correct answer.

M: Yeah. Writing. No. Writing. Focus, Mark. Focus.

A: Right. Writing. I'm doing it right now. And reading. I'm doing that now, too.

M: Oh, me too! And, y'know, feeding homeless hospitalized orphans. *dares you to challenge that*

A: Yeah? Well I'm assisting the elderly. Well, I'm helping my parents move things. Gosh, I hope they don't read this. They're not like, OLD, really. Not really.

M: I am UNkicking puppies. Beat that one, twin.

A: I am traveling to Antarctica to save the endangered ice caps. SO THERE.

M: I petted a chinchilla. Your argument is invalid.

A: I HELD a chinchilla. His name was Carlos and I was in constant terror that he would pee on my hands. But we were speaking of writing, Mr. O'Brien.

M: ...oh. Yes. Writing. Ms. Zhang, I plan on participating in NaNoWriMo. You simply must join me.

A: Mr. O'Brien, you are very well aware that I have just completed a novel that is in desperate need of revising. Also, my parents are cracking down on my SAT studying habits (or lack thereof), so I must decline with the greatest of regrets.

M: Ms. Zhang, I don't seem to recall there being a question in there. "You simply must join me" is polite British talk for "You're joining me, $!(@."

A: I think you forgot a letter, Mr. O'Brien. Unless you were insinuating something even more malicious than I previously understood, in which case I require at least five minutes to think of a sharp and witty comeback.

M: I'll give you your five minutes while eating these marvelous biscuits, fish & chips, tea, crisps, and other stereotypical and/or British-name-ified snack foods. Go on.

A:'re...a qualified BUTTHEADPINETREE. So there.

M: You know what?


Yeah. Taylor Swift. YEAH.

A: You're MEAN.

M: I may be MEAN, but at least I'm not COLD AS YOU.

A: Well, *comebacks are not Amy's forte, so she'll make a hasty subject change* Sometimes I eat all around a cheeseball so it looks like an apple core.

M: I've never eaten, had, or come into contact with a large cheeseball. Is that strange?

A: Our church feeds them to us because they're cheap and holey. HA.

M: George are you making ear jokes again 8|

A: Yeah I is. *puffs out chest proudly*

M: *refrains from the obvious joke that would objectify you because I'M NICE OKAY*

A: Dear world, Mark O'Brien secretly carries around a pair of fake D-cups in his man-purse. So there.


A: If you insist....

Oh, wait. Writing. Um. Would you like to share some tips, Mr. O'Brien?

M: Well, Ms. Zhang, the best tip I've received is to just sit down, shut up, and write. Don't procrastinate; don't spend hours online searching writing advice (unless it is on For Love of YA, of course, because we are awesome). Just WRITE.

And what advice would you like to share, Ms. Zhang?

A: Let's see. The best piece of writing advice I ever got was--


Mark! Can you hear me? Can you--

*more static*


Okay STOP I have dug up my old telegraph machine tappy thingy because my house has shut down all twenty-first century communication so we will have to deal STOP What was I saying STOP


A: I have an umpa lumpa tapping this out in Morse Code for me right now STOP Sorry, peeps STOP Me and my lack of technical skills STOP Well, y'all know STOP STOP STOP That was supposed to be an ellipsis STOP

M: You better not feed that oompa loompa after midnight or else time will stop STOP

A: It's okay I'm paying it in golden eggs and glass slippers STOP Maybe I should ask it to revise my novel, too STOP Because I'm not doing so hot at the moment STOP

M: Actually that's not too bad of an idea STOP Can I get an oompa loompa too UPWARD INFLECTION

A: And here Amy cracks up in an appropriate manner STOP So, revising STOP What are your thoughts on it, Mister O'Brien STOP

M: I STOP Hate STOP It STOP I'm a much bigger fan of drafting STOP I'd ask you PAUSE Ms STOP Zhang PAUSE but I already know you hate it STOP

A: Actually, for me, it differs from manuscript to manuacript STOP I LOVED revising my last WIP, WILDFLOWER STOP I LOVED drafting this WIP, but I'm not so taken with revisions this time STOP

M: Which is your polite way of saying "They make me want to stab my own eyeballs out with a fork STOP"


M: Ms STOP Zhang PAUSE there's no need to lie to our readers STOP

A: No, really, Mister O'Brien STOP I am not a revision hater STOP Editing and I, however, are not friends STOP Mostly because it demands a small thing known as patience STOP

M: Sure, Ms. Zhang. I'll just glance at you warily from over here, with my tea and crumpets and parasol.


M: *twirls with parasol*

A: Charter has fixed my email. So, Mr. O'Brien. Let's talk editing and the benefits of it. Such as, you probably won't have to study for the Writing section on your SATs.

M: Very true, Ms. Zhang! And your English papers will all be wonderful because everyone else will only do one draft and you'll do, like, seven.

A: Well, yes! Your teachers will kick you out of exams because you're taking too long on your essay!

M: Yeah! And... chicken turtlenecks!

A: Mr. O'Brien, shall we discuss the correct plural of platypus?

M: Platypus. Right?

A: I thought it was platypi...

M: I think it's like "hair" and "sheep" wherein the plural is the singular.

A: Are you certain it isn't platypossum, Mr. O'Brien?

M: Perhaps it's platyp***y?

A: G-rated, Mr. O'Brien.

M: Believe me, that's as G-rated as I can get.

A: *sighs* *mutters about teenage boys* All right, Mark Flinn O'Brien. Shall we conclude?

M: Right ho! Live from New York, I'm Mark O'Brien, she's a carefully disguised giraffe, and we'll see you here next week! Or something. Well, we won't really SEE you, but... y'know what we mean. Do you? Ugh. Bad analogy. Do you want me to draw it out? I have a pen and paper right here; it's no problem—

Saturday, July 28, 2012

A Conversation Betwixt Mark and Amy

Recovered from email files
Highly classified
Like, really high
Begin transmission
I am the walrus
Koo-koo kachew!

M: Is this on? *taps mic*

A: Yes, Mark. It's on. This feels like standup comedy. Therefore, I am uncomfortable.

M: Okay, so what do you wanna do? Ask each other questions for a while? Share writing advice? Both? Neither? Lobster?

A: Shall we introduce ourselves first? You are a secret Irishman who sprouts lovely dovely prose and I am the uncomfortable meeting of a stuffy old English lady and a wannabe southern girl.

M: ...yeah, none of that is actually true.

Anyway! Amy, how are you on this lovely... 11:07 EST on a Friday night?

A: Stuffing things haphazardly into boxes. Choking on spit. Repeatedly glancing towards my laptop, Moggle, wishing I could be revising instead. Sparing a few looks at the TV because the Olympic Opening Ceremony is still on. Listening to the BRAVE soundtrack. Sucking on a butterscotch lollipop. Shivering a bit because I'm too lazy to close the window and I accidentally packed all of my sweatshirts. The usual.

And you, my dearest hippo?

M: Listening to Mayday Parade, my favorite band of all time and forever. Eating a Hot Pocket. Drinking Pepsi in an old-fashioned can. Contemplating the plot of my WIP. Trying to determine whether pants are really a necessary invention.

A: I never wear pants while drafting. This is a lie.

So, Mr. O'Brien, shall we tell the world of our opinions on life?

M: Surely, Ms. Zhang! Well, I believe life is a genuinely radiant thing, something to be celebrated regularly. I believe it's something to hold onto, to cherish, to love and adore and care for. I just rhymed.

So what's your opinion on that life thing?

A: I believe that life ought--oh, craperdoodles, Mr. O'Brien. I'm afraid that I must retire to my bedchamber for the night and complete the shoving of my belongings into boxes. Shall we continue on the morrow?

M: Indeed! Don't mind me; I shall sit here and sip tea. All night. While watching you sleep— what?

A: *suspicious glance* Very well. Do try to abstain from hiding in my closet, all right?

M: I make no promises, Ms. Zhang.

A: Mr. O'Brien, were you aware of the fact that in some Celtic myths, redheads were believed to become vampires after they died?

M: I decidedly was not, Ms. Zhang. However, I am ALREADY a vampire, so I needn't worry about such trivial things.

A: Oh, hey, we learn something new every day! So, I believe we were discussing the meaning of life? I seem to recall that you were in the middle of pledging your eternal love for it, in sickness and in health, and I could not agree more.

M: Indeed! Though I said nothing about "in sickness and in health." I am not marrying Ms. Life, pretty as she may be, Ms. Zhang. I am, after all, a hermit.

A: Of course, Mr. O'Brien. Though, I was under the vague impression that life was, in fact, the very proud and hot owner of a Y-chromosome. I have also come to the realization that our conversation is amounting to nothing. Not, of course, that this is news.

M: Indeed, this seems to be fit more for our own amusement than the masses. Hark! Whatever shall we do?

A: We will discuss writing, of course. How goes yours?

M: Fantastical, my dear fellow! I've recently started a new WIP, as the children call them, and I'm quite in love with it. It's a YA romance tentatively called MADDENING, and it's about a girl whose boyfriend slowly descends into paranoid schizophrenia in Texas in the 1980s, and their relationship.

My dearest Amelia Bedelia, it's my understanding that you've recently completed a speculative fantasy. Might you inform us of this simply ravishing ms over a spot of tea? It is, after all, high noon.

A: I would be utterly delighted to. MY STARS WILL FALL is inspired by Celtic and Norse mythology. It's about a girl who hasn't heard her name spoken aloud in three years, a boy who should be dead, a few monsters and the people who are even more monstrous, and hot chocolate.

Now, let's move on. What do you have planned for MADDENING, Mr. O'Brien? You will query it, I hope?

M: Should my current ms not garner an offer of representation, yes, I should want to query MADDENING. Back into the trenches of querying, I suppose. Ms. Zhang, I understand you yourself are currently in a different trench— you and your agent are on submission to publishers. How are you feeling? Is it simply exhausting?

A: Mostly, it's composed of long hours of sitting sadly in an empty bathtub, repeatedly refreshing my email. It's a good life, is it not?

M: Oh, indeed! My email refreshments have been many and short between.

A: Well, Mr. O'Brien, I have been called to a shoe secret emergency meeting with a kangaroo and a beached whale regarding the well being of the entire sandwich world. It has been an absolute pleasure. *salutes*

End transmission

Saturday, July 21, 2012

Interview with Nicole Steinhaus

Hi guys! Sorry about the late post (we had technical troubles), but our interview should make up for it. This week, we're bringing you Nicole Steinhaus, writer, intern for Entangled Publishing, and lovely human being. Check her out!

•How long have you been writing for?
I started writing back in 2009 and, really, it was because my husband was working nights and I was B.O.R.E.D. out of my mind. I’d never written fiction before and spent five months drafting the longest (140k), adjective-ridden, description-heavy story about a girl and a ghost. It was atrocious! And I’m so embarrassed I ever let anyone read it. But it was a learning experience.

•Tell us a little about your book.
The manuscript I currently have out on submission is a YA suspense that follows a sixteen-year-old girl’s journey into proper diagnosis of dissociative identity disorder:Ellie Cox can’t remember—her childhood or how she got the tattoo on her stomach. It started out small… forgetting a drive home or a conversation with a friend. But her blackouts are getting worse, more difficult to disguise as forgetfulness.When Ellie goes missing, no one expects to find her in the apartment of another boy. Not even Ellie. Or her boyfriend, Shane. Another three days have escaped her and, as if that isn’t bad enough, the boy, Griffin, keeps calling her “Gwen.” Ellie is branded as a cheater at school and, fighting for Shane’s forgiveness, she struggles to regain her three days and understand why she lost time in the first place.After discovering her biological last name, Ellie sets out to learn more about her past. And it turns out “Gwen” isn’t just a name Griffin calls her. Gwen is a real person. Living inside Ellie. Created by Ellie’s childhood mind to protect her from the horror she used to call home. Gwen now wants to take over Ellie and live her own life…at Ellie's expense.
After Oprah featured a woman on her show who was living with more than a hundred personalities, I knew DID was something I wanted to tackle fictionally. The idea frightened me, actually. How could I pull off something that, in reality, was so disorienting? Two months of research on top of six drafts and I’m proud to say it’s far more psychologically unsettling than I could’ve ever imagined.

•How'd you get your agent?
Query, wait, revise. Query, wait, revise. Really, that’s all I did. With this draft, I only queried a handful of agents and when Bree Ogden of D4EO Literary Agency approached me with an offer of representation, even though I had several other offers within that following week, my gut told me Bree was the one. She saw exactly what I was trying to pull off with Gwen and Ellie’s story and, more importantly, told me I could.

•How did The Call go?
Uh…you mean after I told Bree to call, realized my phone was dead, read her email that said something along the lines of “Um…you didn’t answer…,” called her back, and then hung up so she could call me relieving me of the long distance charges? Fantastic! Her first words, “I loved your book!” still make me smile. And pinch myself because, honestly, as cliché as this sounds, sometimes I feel like this is all a dream.I asked all the basic questions, wrote everything down knowing I wouldn’t remember a thing once we hung up and tried not to reveal how socially awkward I am on the phone. She went over the terms of the contract and we discussed the plan for my manuscript. She didn’t think any changes needed to be made so we talked on and off the following week about the pitch and then I was out. To The. Big. Six!

•Do you have any formal writing training?
None. However, I’m a teacher with a Master’s Degree in Education and a single subject credential in English so I’ve got a basic knowledge of grammar and punctuation and all of that other fun stuff which I’ve built on by reading craft books and writing-related blogs. I’ve attended conferences and retreats. One thing that’s helped tremendously is reading books in the genre I write. Not only do I see what I’m up against trying to break into the market as a debut writer, but often times I’ll break down plotlines and analyze sentence structure and character growth as I read.

•How did you get your internship at Entangled? Which imprint do you work at?
I owe it all to Alycia Tornetta, Bree’s former intern! And perfect timing. After signing with Bree, Alycia and I became fast Twitter friends and one day I mentioned to her about internships. She said she thought one was opening up at Entangled where she works as assistant editor and the next thing I knew senior editor Stacy Cantor Abrams was calling me! I read for Entangled, Indulgence, Bliss, and Covet.

•Has working on the "other side" helped your writing?
More than I could’ve imagined. I don’t see it as taking time away from my writing. Before this internship, I beta read a few manuscripts a month and what I learned is that seeing mistakes, whether big or small, in someone else’s writing can be a real eye-opener when it comes to your own. On the internship side, I’m privy to what the senior editors are passing on and, more importantly, why. Seeing this side of publishing has also helped with the anxiety of having my own manuscript out on submissions.I wouldn’t have learned about writing without the knowledge of others so I’ve been running a mini-series on my YA Stands blog ( called Reasons Editors Pass to pay forward some of the tips I’ve been learning. So far it’s gotten a pretty good response.

•What piece of advice would you give to aspiring writers?
Nothing new, but it’s what’s worked for me: Don’t rush in to thinking your manuscript is ready for submission. Take the proper steps to ensure it’s the best it can be. And when you do put yourself out there, don’t let the rejections get you down. Use the feedback from the agents/editors to make adjustments and TRY AGAIN.

Find Nicole at: and!/NicoleSteinhausAuthor

Saturday, July 14, 2012

Interview with Julie Murphy

Hi, everyone! We're continuing our interview-every-Saturday month today with an interview with Julie Murphy, author of SIDE EFFECTS MAY VARY (Balzar + Bray/HarperCollins, winter 2014)! She is funny and wonderful and didn't scream too much when we coerced her into doing this :)

How long have you been writing for?
I've always dabbled in writing. Whether it was journaling (or really attempts at journaling), poetry, short stories, or screenplays (yes, even screenplays), storytelling in some form has been a part of my daily life for as long as I can remember. A little less than a year ago, I began to take writing seriously. And it's been quite the year!

Tell us a little about your book, SIDE EFFECTS MAY VARY.
When sixteen-year-old Alice learns she is terminally ill, she makes a very surprising list of things to do–which includes settling some old scores. She’s made peace with her life—until she goes into remission. Now Alice must face the consequences of everything she’s said and done, as well as her true feelings for the boy she pushed away when tomorrow wasn’t certain.

How did you celebrate The Call from your agent? 
Well, immediately after receiving The Call, I had a solo dance party and then went to work. Womp, womp. But a few weeks after that, I went out for a great big dinner with a few close friends. And I basically bought myself a cupcake every day for at least a month.

Which was harder: querying or going on sub?
Oh wow. Querying is hard. Really, really hard. But submission is a whole other animal. I think the hardest thing about going on submission is, that after querying, we're so accustomed to all the articles and the blogs that detail every square inch of querying. But when it comes to being on submission, you just don't find that same plethora of information out there. Usually, the reason for that is because submission is so very different for every single person.  I was lucky in that both the querying process and the submission process for SIDE EFFECTS MAY VARY passed rather quickly. But if I had to choose one or the other, I would say that querying was the harder of the two. That's simply because, when I was on submission, I wasn't alone. I had my amazing agent going to bat for me.

How'd you get your agent? From the slush pile, a conference, a contest?
My dear, sweet agent, Molly, who I gush about at any given opportunity, plucked me out of the slush pile! I've got a detailed agent story on my blog for those interested.

Any strange writing rituals?

Heck yes I have strange writing rituals! Three in particular. The first is popsicles. Boxes and boxes of popsicles. You know I've had a good writing day when my office is littered with popsicle sticks. And then there are movie trailers. I sit down and watch a whole slew of movie trailers before writing. It's very therapeutic for me. The third isn't so strange, but I do a lot of writing longhand. It helps when I'm stuck. And, too, I find that some of my most organic work comes when I power down my laptop and put pen to paper. So there you have it. The secret to my success: popsicles, movie trailers, and writing longhand.

How excited were you when you got your editor?
I don't think there exists a tool on Earth to properly measure my excitement. I could not be more thrilled to be working with Alessandra and the whole team at Balzer + Bray. I don't think I'll ever get used to saying "my editor." My face has been stuck in this really goofy smile. It's kind of starting to hurt. ;)

What piece of advice would you give to aspiring writers? Anything specific for teen writers?
All the usual stuff, of course. Don't give up, keep on trucking, chin up, etc. But most importantly, READ. Everything of value that I have learned about writing has come from a book. Your favorite books make you feel the way that they do for a reason. Find out why. And here's my other piece of advice: don't take all of the advice. Pick and choose what works best for you. Otherwise, you'll just end up with a hodge podge of advice. Sometimes there's no right advice for you, and sometimes you have to set your own rules. In fact, that's one of the best parts about writing. There's no right way.

See? I told y'all that she was wonderful! Thank you SO MUCH for coming, Julie!

Saturday, July 7, 2012

Interview with Leigh Ann Kopans

Hi everyone! As promised, we've kidnapped Leigh Ann Kopans today to be interviewed (it almost didn't happen due to some seriously bad planning on Amy's part...). She's brilliant and funny and absolutely wonderful, so I'll stop singing her praises and let you guys see for yourselves!

Thank you so, so much for having me! I love visiting other blogs and I'm honored that you took me up on my (perhaps over-enthusiastic?) twitter volunteering to be interviewed.

How long have you been writing for?

I've been writing for about a year and a half.

Tell us a little about your book, ONE (this is the one you're going on subs for on Monday, right? Oodles of luck to you!)

ONE is about Merrin, a girl with only half a superpower - a One. She can float, but she can't do anything to move herself through the air - meaning she can't fly. She's been dreaming of getting an internship at the Supers' Biotech Hub and figuring out how to fix herself for years.

Then she meets Elias, another One who can push the air around him. There are a couple awesome things about Elias - first, he is very cute and a really good kisser; second, when she touches him, their One powers combine to make them fly.

Everything's going great, including Merrin getting short-listed for that internship she always wanted, until Elias gets kidnapped, and Merrin suspects the Hub is behind it. She's going to have to decide which she wants more - Elias, or a future with the Hub.

I've been obsessed with superheroes since my dad introduced me to the 90s X-men cartoons on lazy Saturday mornings. This book is the ultimate illustration of how I spend WAY too much time thinking about them.

Tell us about your other two novels, SOLVING FOR EX and CHROME

Solving for Ex is about a girl who had to leave her hometown high school after her mad math skills got her into a sticky situation - help one of the most popular kids at school cheat on a final, or suffer merciless bullying. When the bullying drives her to stay with her Aunt and Uncle, she falls in love with the boy next door, Brendan, who has everything in common with her, and, amazingly, is Captain of the Mathletes. But then, a new girl at school is determined to do anything she can to get close to Brendan, including cheating her way to Mathletes State and risking the team everything.

Chrome is a futuristic science fiction retelling of the Exodus from Egypt, with Pharoah recast as a merciless Queen ruling a biodome-encased city and the slave class living beneath it one thousand years after a devastating nuclear world war. Moses is recast as a sixteen-year-old girl, and instead of blood, frogs, and lice, the plagues are faulty circuits and battery acid. I'm pitching it as Battlestar Galactica meets the Bible, and it's all kinds of fun to write.

How long did you query for?

I queried (and contested) One for four and a half months.

How'd you get your agent? From the slush pile, a conference, a contest?

Tricia discovered me in The Writer's Voice Contest, where I was a member of Team Cupid's LC. (

I also had an offer from a ninja agent, who had seen something she liked on my blog and emailed me directly asking for a submission. So make sure your blogs are up to date with your WiP info! You never know what will come of it.

Tell us about THE CALL.

The Call with Tricia (Lawrence of Erin Murphy Literary Agency) was the most surreal - and amazing - experience. She spent the first ten minutes or so of The Call just telling me everything she loved about my book and its characters. It was honestly a dream come true - she said everything I'd ever imagined someone understanding about One, and then some. She even thanked me for writing my main character! I didn't even know what to say to that.

But then, it got even crazier. She asked me about my plans for a sequel - a SEQUEL! No one had ever even asked me whether I'd thought about a sequel. But wait! She also wanted to know about all my OTHER projects. She explained to me that she was invested in my long-term career as a writer, not just this one book, which was all kinds of confidence-inspiring and, again, a dream come true.

I seriously felt like my brain had been liquefied by the shock. At that point, I'd had 91 form rejections on this manuscript - I had convinced myself it was complete crap. And then here was this amazing agent from a big-shot literary agency telling me that she absolutely loved it, and understood it in a way I never dreamed possible.

Are you nervous about going on submission?

In theory, no. I've been through the muddy, smelly, starving, despairing query trenches twice before (once for my first manuscript and once for One), and I'll certainly survive them, one way or another, with one of the leading industry pros championing my book. Besides, Tricia is my agent for my entire kidlit career, and there will always be A Next Book.

In reality, yes. Completely terrified. It's scary to think of making it this far only to get shot down at the very final step before your book gets to sit pretty on a store shelf somewhere. I'm focusing on that Next Book just to keep myself from completely hyperventilating.

What's your favorite part of working with your agent?

I think it's being able to focus on just the writing, without having to tear my hair out at every moment about how, when, or to whom I will query it. I used to stress a lot about marketability - namely, how very little I knew about whether a project I was working on would attract any attention.

And then, of course, deep down, I just worried that I was a totally sucky writer.

Now that I've signed with Tricia, I have some reassurance from at least one person in the publishing world that I am not, in fact, a completely sucky writer. More importantly than the requisite coddling is Tricia's guidance. She can steer me away from projects that she knows will never make it and advise me on other ones that have the best chance of making my career successful. She has my back, and she believes in me, and that's worth a whole hell of a lot.

What piece of advice would you give to newbie writers? Anything specific for YA writers?
YES! For newbie writers - surround yourself with people who are at the same writing stage as you. Support one another, grow together, and you'll see amazing results in your writing and your careers.

For YA writers - *readies soapbox* Write YA for one reason, and one reason only - because you have stories to tell young adults. Don't write to teach lessons, or to make a point, or to tell teens which decisions to make. Teens are people, with brains, which they use a lot. They'll learn those lessons with or without your books, and they can make decisions for themselves without your input. Teens can smell your agenda from a mile away. Don't try to sneak it past them, because you won't succeed, and you'll just look silly in the process.

Also, if you have to try to "sound like a teenager" when you write, you're doing it wrong. Write about authentic teens with authentic teen voices. Spend some time listening to your characters talk. If they're real enough, they'll tell you what they need to say.

Wow! I didn't know I could get so preachy about writing YA, but there you have it.

Anyway, thanks a ton for having me. I think you two are absolutely incredible, and I'm fascinated by your writing paths. I'm going to be watching for your success stories so I can be appropriately giddy for you, and smug that I knew you when.

And to your readers, thanks so much for reading! It's been fun

Isn't she brilliant, peeps? Thanks A TON for letting us interview you, Leigh Ann!

Wednesday, July 4, 2012

Exciting Stuff!

Hey, guys!

This month, we're gonna do something a little different. Instead of posting twice a week, we're only putting up new posts every Saturday!

Why am I so happy about this, you ask? Because we're bringing you interviews with some of the most impressive up-and-coming writers! Exclamation point abuse!

Check back every Saturday this month for a new interview with an agented writer. We'll be interrogating them about their novels, advice for you guys, and all sorts of fun stuff. Until then, happy Fourth!

Saturday, June 30, 2012

Three Things to Keep in Mind While Drafting

Personally, I love drafting. There’s less pressure on a draft than a revision, because your first draft is expected to suck. But I struggle a lot with drafting, especially at the beginning of a new project. It's a leap of faith to commit hours and hours of time to an idea that's nothing more than that--an idea, slowly and vaguely taking shape in your mind. There'll be times when you will furiously, ecstatically pound out words, and then there are simply times when you won't. Here are the three things that I think are vitally important to keep in mind through all of that.

1. Write. Just write. Write anywhere. Write everywhere. Write on a steno pad while your boss is preoccupied. Write during chemistry class while you should be taking notes. Write during lectures, and nod thoughtfully on occasion to show that you’re paying attention. (Okay…don’t do any of that. They tend to have consequences. Rather lasting ones, like a nose-diving chemistry grade). Your first draft doesn't need to be good. At all. First drafts are just a jumbled collection of your thoughts and emotions translated into messy words, and you’ll clean it up during revisions. At this point, the only thing that's important is that you get it down on paper.

Also, get into a habit of pressing CTRL+S after every paragraph. It'll save you a lot of headaches and heartbreaks. There is no muse-killer more effective than losing your work to cyberspace.

2. Don’t wait for inspiration. There will be short bursts of it peppered here and there, of course. There will be scenes that simply flow out like swollen rivers…and then there will also be scenes that flow out like drool. Writing isn’t about waiting for inspiration. Writing is about forcing words out of yourself even when you’re utterly lacking in inspiration.

That said, drafting is also a good time to find things that do inspire you. When I start a new project, one of the first things I do is look for music. Music helps me write (or, I guess it could just be that my noise-resistant headphones block out the rest of my family…), and my tastes can vary widely from story to story. For example, my playlist for my war-torn fantasy features mostly Linkin Park. My WIP set in a land of strict tradition and wandering monsters is set to mostly Celtic, Narnia-esque music.

3. My art teacher once told me that the best advice he ever got on marriage (which, for whatever reason, was his pet analogy for ceramics) was that you should expect to have days on which you wake up and not like the person next to you. At first, I was totally surprised by this, maybe because it was so different from archetypal, ooey-gooey wedding advice. But turns out, this was an invaluable piece of advice when I applied it to writing. There are days, many of them, when I open up my computer, scroll through my draft, and think, “Wow. This is utter crap.”

I constantly doubt my work. I constantly wonder if I’m good enough, and with embarrassing frequency, I don’t believe that I am. I sit there sweating in front of a blank screen and think, “I could be doing something else. I could be studying for SATs. I could be at tennis practice. Screw that, I could be at the beach.” The hardest part of drafting is having faith in yourself, and believing that you're able to pull thousands and thousands of words from corners of yourself that you honestly might rather ignore. Yes, there will be days when you do not want to do this. But deep down, you know you’ll always run back.

Monday, June 25, 2012

Drafting (or, How I Learned to Stop Worrying and Love the Process)

So, you've got an idea. Maybe it's a small, simple contemporary. Maybe it's a sprawling epic fantasy. Maybe it's somewhere in between. Regardless, it's draft week here on For Love of YA.

...doesn't that make me sound really cool? No? Well, *censored*

Anyway, here are seven steps (in no particular order) you planners/outliners out there should take before you dare enter the world of The First Draft.

Pick a tense.
Past? It gives a sense of reflection. Present? It gives a sense of immediacy. Future? It gives a sense that you're an idiot. (Don't do future.)

Flesh out your characters.
You don't have to know every single thing about your characters at this stage, but there are some basics you should know. Name? Appearance? Personality? Relationships with other characters? Quirks? Home life? These will probably be important, some more than others, so you should definitely know them.

Pick your POV character(s).
I have some qualms with using multiple narrators in one book— mostly because one POV is usually stronger or more interesting than the other. That aside, if you're going to use multiple narrators, decide now.

Know your premise.
Your premise is very important at this stage. You can go into a project with no semblance of a premise, but if you're a planner, this will complicate things greatly.
(By the way, if you don't know premise vs. plot: the premise of Harry Potter and the Sorcerer's Stone is "a boy goes to a school for wizards." The plot would be "at Hogwarts, Harry has some general shenanigans before Voldemort tries to kill him.")

Know your basic plot.
You should have a general idea of what happens in the story. You don't need to know every subplot at this point (unless you want to), but knowing your basic story structure is helpful.

Know the main characters' goals.
What do they want? Does he want to win the girl or score the winning touchdown or ace the math test? Goals tell us a lot about the characters, and it's important for planners to know them.

Know the stakes.
What happens if the characters don't reach their goals? Does he die? Does she fail the tenth grade? Stakes tell us what kind of story it's going to be.

What do you like to know before you pick up your pen/begin typing? Did I miss anything?

Saturday, June 23, 2012

Overwriting Overkill

So, you’re an overwriter. You ramble. You rave. Trust me, I know. My first manuscript was 80K. My second was 125K. My third was 167K (I wish I were kidding). Obviously, being succinct is not one of my stronger areas.

Chances are, if you’re an overwriter, you will be cutting up your precious manuscript. You will be pressing the delete button over and over and over again. You will be highlighting entire paragraphs and passages and pages and trashing them. And it will hurt. A lot. But it’ll be worth it.

Recently, my agent asked me to cut 20K words from my manuscript. And I had absolutely no idea how. At all. My first day of Project Manuscript on Diet consisted of me staring at my computer screen, whimpering (again, I wish I were kidding). But lo and behold, three weeks later, I had turned a 115K manuscript into a 95K one. So for all of you overwriters out there with overweight manuscripts, I’ve compiled those three painful weeks into a few (succinct-ish) points.

Look for Repetition: You might have scenes that mirror each other in terms of setting, character development, plot development, etc. Those scenes have made it this far because you’re attached to them. So, detach yourselves from them. In the back of your minds, you probably already know that they aren’t necessary. You just like them. Trust in yourself as a writer—you will write such scenes of breathtaking beauty again. Then press delete.

Don’t be Redundant: One of my first critiques I ever received hit on that. The man pointed out that since I already wrote, “he spun around,” I didn’t need to add, “he demanded furiously” as a dialogue tag. It was already implied. It was a great piece of advice. But cutting those, my writing became a lot tighter. I think. *frowns at writing*

Combine Scenes: Some of your scenes actually must be kept, not for gorgeous writing, but for some less-major but very important things such as characterization, foreshadowing, etc. These scenes can’t be deleted, but they can probably be combined. If you cut half of the first scene and half of the second, you have cut a whole scene without losing anything important, correct? Then again, math is not my strongest subject…

Make a Commendable/Expendable Chart for your MS: Go through every chapter and write down what things are commendable, what things are expendable, and rate the importance of the chapter on a scale of 1 to 10. This will help. A lot. Seriously. It’s basically creating an overall plan to cut down on your novel. You don’t have to stick to everything, but it’ll definitely give you a place to start.

Cut a Line from Each Page: This is something I started doing during my last round of revisions. Basically, I made myself cut between six words and one line on each page. You realize that a lot of what you've written is actually unnecessary--clunky adjectives, overly dramatic passages, adverbs. It's amazing how many words you lose, without actually sacrificing any scenes.

I know, a lot of these things are easier said than done. Being an overwriter sucks because you end up having to cut A TON from your manuscript. But hopefully, these tips will help you create a tighter, faster-paced manuscript. And who knows, maybe one day, I'll figure out how to stop overwriting...

Okay. That's ridiculous. Sigh.

Monday, June 18, 2012

Five Tips for Underwriters

So if you're anything like me (Mark), you underwrite. A lot. You underwrite so hardcore it'd make a picture book look like a phone book by comparison. Your ms, printed out, would be mistaken for a pamphlet. Your word count is lower than your weight.

Luckily, you have me to help you. I'm so nice, aren't I?

Five Tips to Turn Your Underwriting-Self into a Master of Life, the Universe, and Everything Writing-Related:

1. Describe.
Descriptions bring your setting and characters to life. They allow us, the readers, to view the world the way the author intended us to. Underwriters frequently leave out descriptions, allowing the reader to interpret the way things look and feel in their own fashion. I don't recommend this. I recommend appealing to all of a reader's senses. What does your character feel, see, hear, taste, and touch?

2. Details.
Too often, underwriters forget to include the deets. Without details, we as the reader can feel lost or disconnected. So long as they're relevant, never forget to include the small things— the streak of gray in the mom's hair; the love interest's slightly endearing lisp; the MC's nervous ticks.

3. Prose.
We underwriters love literary fiction but could never write it. We cower in fear at the five-letter word that starts with P.
Even if you're writing something totally commercial, try infusing your work with some prose. Just try it. Describe the way the rain on the tin roof feels like a heartbeat or whatever. You have express written permission from me to delete all that prose as soon as you write it, but who knows? Maybe, even if it doesn't fit, you'll find you like describing the leaves dancing as they fall like cigarette ashes. Or something.

4. Pacing.
I know, I know. We underwriters just have such amazing plots and characters we want to get right into the heart of them.
Slow down, killer.
We need to make sure we have the five basic story parts (exposition, rising action, climax, falling action, conclusion). But we don't have to neglect everything else to get our stories there. Make sure your novel isn't moving along at breakneck speed. If you find it is, refer to tips 1, 2, 3, and 5.

5. Secondary stuff.
These include subplots, deuteragonists (protagonist's posse), secondary characters, etc. Though you don't need 4,192 characters (you're not George R. R. Martin, my friend), it's a good idea to use more characters besides the main ones as supports or foils for your MCs.
Also, subplots (side quests, getting the girl before the big football game, etc.) should enhance your overall story. They shouldn't be like in sitcoms, where they have nothing to do with the main storyline. If a subplot isn't contributing to the main plot, delete it.

Are you an underwriter or an overwriter? Leave your answer in the comments and make sure to check back on Saturday for Amy's tips for overwriters!


Saturday, June 16, 2012

New Twitter!

Hi, everyone! We just wanted to let you all know that For Love of YA is officially on Twitter! *pause for cheering* Follow us at @forloveofya. We'll be tweeting about giveaways, interviews, updates, posts, writing tips, everything but the kitchen sink! know, I never understood that expression...

Saturday, June 9, 2012

So You Think You Can Query (Part 2)

Yodles, everyone. Thank you for not questioning my wordchoices.

So. Querying. Often defined as: that long, painful, slightlymasochistic thing that aspiring authors do to drop that pesky ‘aspiring’ partin their titles. (Here’s a fun fact: I started querying on yesterday’s date,last year. And started getting rejections on today’s date, last year). So Ithought I’d share a few things I wish I had known at this time last year,before I sent out my first batch of crap-queries. I’ve even compiled it into a verynice DO and DON’T list and everything!

  1. Don’t: rush. You probably want to send out ten queries today, twenty tomorrow, and thirty the day after that. Trust me, I know. DON’T. Why? Because once you start getting rejections, you’ll want to sit down and revise your query, then crumple it up and throw it into a virtual trashcan, and rewrite it entirely.
  2. Don’t: send out your query without reading it over at least once or twice. Don’t be an idiot and send out an email without replacing the Dear with agent’s name. Um…not that I ever did that. *cough*
  3. Don’t: use clichés. Avoid them in all writing, but especially in your query. If you start your hook with “In a land of…” or introduce your conflict with “a sudden twist of events,” the agent reading your query will start drooling and reject you in her sleep. (Trust me on this. I used both of those painfully unoriginal phrases in various versions of my query. I will go hide in the closet of shame now).

    1. Do: personalize your query. I can’t stress this enough. It took me over forty rejections to take this to heart. The second time around, though, I researched vigorously and started all of my queries on a personal note. For example, here is the beginning of the query I sent to Suzie Townsend:
    Dear Ms. Townsend,
    As you've expressed an interest in strong female protagonists and different fantasy worlds, I thought that you might be interested in my project, WILDFLOWER, a story about a subject that happens to share a name with your dog: Fate. I hope that the characters and their motives will appeal to the readers of your agency's client, Veronica Roth, though the plot and setting are very different
      Brownnosing? Yes. Successful? Very.Full request in a day. Peruse blogs, hide in the corners of Facebook pages,stalk them on Twitter. Whatever it takes.
      1. Do: have people critique your query. Any feedback at all is invaluable. is fabulous for getting responses. Remember, your query is like a step inside the door. Like how girls always send pictures of their prom dresses/shoes/hair/makeup to their friends before they finalize anything, right? (I have a conspiracy theory that boys do it, too… *suspicious glare at Mark*) That’s what getting critiques on your query is like. Otherwise, your prom date—um, agent—might slam the door in your face.
      2. Do: make sure to make your query yours. Even if you’re following the traditional hook/conflict/bio three paragraph formula, make sure that your query will stand out of the thousands that an agent goes through every month. Make a list of reasons of why your story is different from all of the other ones in your favorite bookstore. Show that in your query.

      What’s that? You want an agent’s perspective on queries, yousay? Well, it just so happens that the fabulous Emily Keyes wrote a blog post afew weeks ago about the queries she accepts/rejects…here. Go check it out!

      Friday, June 1, 2012

      So You Think You Can Query (Part 1)

      Querying is hard to do, harder to do well, and impossible to do perfectly. Seriously. I've read virtually everything on querying available online, I've been doing this looking-for-an-agent business a while (six-plus months), and I've had my query critiqued to the core by fellow authors. Because of this, I have what is considered a "successful" query, meaning I have over a 25% request rate.

      Do I still get rejections? Yes. All the freaking time.

      Here a few basic tips that'll (hopefully!) reduce your rejection rate if taken to heart. Keep in mind, I am no expert. I'm just a guy who's been doing this a while.

      •Query is spelled Q-U-E-R-Y. If you get this wrong, you should not be querying.

      •Limit your query to one page (on Word).

      •Agents' guidelines differ, so look at them first. However, the general format is a hook followed by one (or possibly two) paragraphs about your novel, and then your novel's info.
      —•Hook: keep it short, sweet, and catchy. Introduce the main character(s) and their struggles. (Struggles is a funny word, don't you think?)
      —•About the novel: be sure to include the main characters, their goals, what's keeping them from their goals, and what will happen if they don't reach their goals.
      —•Housekeeping: use this format or play with it a little: "_______ is a xx,000..." (round to the nearest thousand) "...word (genre)." Be sure to say it's YA or MG if it is.
      —•Bio (if applicable): can be the same paragraph as your housekeeping. Include PERTINENT publishing credits and a PERTINENT degree, if you have those things.
      —•"Thank you for your time and consideration."
      —•Contact info.

      •Make us care about the characters, but paragraphs of "Sally is nice with long brown hair. Shaniqua is ghetto fabulous." are no-nos. (Unless you plan of juxtaposing Sally and Shaniqua and this is a plot point)

      •Do not give away your novel's ending. Stop at a point that makes the agent HAVE to keep reading. Generally, this will be your climax or right before it.

      •That said, don't be coy with information. Give us the plot points!

      •You do not want to come off as an entitled jerk. Agents enjoy sanity.

      •Incorporate voice into your query.

      •If an agent asks for sample pages, paste them below the query. Make sure they are the first pages.

      •Do not query until your book is complete and as good as you can make it.

      Part two coming next week from Amy! In the meanwhile, is there anything we missed or anything you'd like us to cover?

      Saturday, May 26, 2012

      Interview with a Vamp— err... Amy Zhang

      Hey, guys! Mark here, bringing you my interview with the lovely purple hippo Amy! Yaaaay!

      After much binding, gagging, and kidnapping, I got Amy to sit down with me, and she graciously answered my questions. (As if she had a choice!) Without further ado, (adoo? adieu?) here's our interview!

      M: Tell me about your novel.

      A: Hmmm...can I cheat by pasting my query here? No? Well, WILDFLOWER is set in a world in which peace is upheld through violence, and every year, nine hundred children are sent to fight a small, pointless, and brutal war that keeps everyone else safe. ((Fun!)) My main character, Faye, is captured during one of these Wars by a soldier named Aro, who turns out to be following orders from the man who murdered her parents. ((Ooohhhhhh...))

      M: How long did it take you to find your agent, from the time you started querying to the time you accepted representation?

      A: Well, the answer to that is actually rather complicated...I started querying a version of my novel last June, but was struck sometime in December with a major epiphany about my plot that essentially turned my manuscript into a new novel (with a new title and everything. Even my guy protagonist even went through a name change). ((I had this same thing with my second novel. The first draft was suckish, to be kind, but I've done rewrites that turned it into what is basically a different novel.)) I started querying again in January, and got my offer thirteen days later (yes, I counted. I got an app and everything :P). ((...*has been querying for a month and a half* *throws tomato, pretends it wasn't him*))

      M: How many queries did you send?

      A: Well, when I started back in June, I had absolutely no idea what I was doing. ((Me too! I spent a hundred words complimenting the agents in my first batch of queries for my first novel.)) Which is my way of defending myself against the fact that I submitted a ghastly query to over forty agents, only six of which asked me for a partial or a full. ((Better than my request rate for my first novel. :P)) After rewriting my novel, researching the industry, and finally getting some feel for what I was doing, I sent out fourteen queries and got four full requests and an offer within two weeks. Which was, you know, very cool. ((2 kewl 4 skewl!))

      M: Have you previously been published?

      A: Not extensively. I've had a few poems and short stories published in a state high school literary magazine, but that's about it. ((Nothing to scoff at.))

      M: How long does it take you to write a first draft? To write subsequent drafts?

      A: The first draft of WILDFLOWER took...three months, maybe? Basically, I wrote it during the summer before my freshman year. Subsequent rewrites (twelve of them), have taken me up until now, so that's...nine months? Ish?

      M: What inspired you to write WILDFLOWER?

      A: This is going to sound a bit insane, but I was approached by my guy protagonist. ((That doesn't sound insane at all. The same thing happened to me with my MC.)) I had been on a mission trip in Arizona at the time, and it had been hot and dusty and I'd been a nosebleed every other hour, ((Fun!)) and while I had been lying awake one night, he sort of just...tapped on my mind and said that he had a story to tell me. Make sense? No?

      M: What was your biggest challenge while writing?

      A: Definitely finding the time to do it. When I first started writing, my parents were always yelling at me to stop wasting my time and go study for my SATs instead. Also, in the fall (during tennis season), I don't get home until pretty late, with absolutely no time for writing during the week. So, sometime this winter, I rearranged my schedule so that my writing time was in the morning instead of in the evenings. I started getting up around 4:00 a.m. to write (I'm a morning person, okay? least, I'm less misanthropic in the mornings than at night, after being around people for an entire day...), which was a pain before I got used to it. Honestly, it's nice to start my day with a few hours of writing. ((You wake up at 4 A.M.… by choice... *dies*))

      M: What was your most awkward writing related moment?

      A: Oh, gosh...did I mention that I didn't tell my agent that I was fifteen until THE CALL? Yeah...she was all like, " you mind if I asked how old you are?" and I was like, "Um...uh...about that...ummmm...I'm kinda in...high school?" I was totally tongue-tied. And I sounded like a complete idiot, of course. ((*thinly disguised snicker*))

      M: What is one the one piece of advice you would give a teen writer?

      A: Don't let the condescension get to you. Ever. Seriously, you can do it. Come here and rant about it instead! ((Agreed! Bring us your rants, your raves...))

      Wasn't that the bee's knees? Amy is so kind to have not screamed for help! What a sweetheart., Amy, I will not let you go now. Silly goose!

      Come back next week, guys! We have more fun stuff brewing in the cauldron, if y'know what we mean.